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🧬 ( betboo 146 ) - 🧬 A artista e autora Faith Ringgold, conhecida 🧬 por seus tapetes narrativos que entrelaçavam arte com ativismo, morreu aos 93 anos. O falecimento de Ringgold, betboo 146betboo 146casa 🧬 betboo 146 Nova Jersey no sábado, foi relatado primeiramente pelo New York Times.

🧬 "Faith deixa um legado impactante de ativismo e advocacia 🧬 pela diversidade e inclusão que marcou profundamente o mundo da arte, inspirando incontáveis outras pessoas a usarembetboo 146voz como 🧬 ferramenta de mudança social", disse Dorian Bergen, Presidente das ACA Galleries, que representavam Ringgold há quase três décadas, betboo 146 um 🧬 comunicado fornecido à betboo 146 . "Sentiremos muitobetboo 146falta e continuaremos nos comprometendo a continuar essa legacy compartilhando seu 🧬 trabalho, filosofias e vida com o mundo."

🧬 Ringgold, nascida betboo 146 1930 betboo 146 Harlem durante o Renascimento de Harlem, draws inspiration from 🧬 the tumultuous social realities she lived through. As a student, her formal initiation in the arts was almost curtailed by 🧬 the City College of New York's regulations of the time, which restricted women to specific majors - art not being 🧬 one of them. However, Ringgold's determination led her to strike a deal with a school administrator: her art studies were 🧬 contingent upon primarily enrolling in the school of education, where women were allowed. 🧬

After earning her bachelor's degree in fine art 🧬 and education in 1955, Ringgold began teaching art in public schools while developing her own art. She later received a 🧬 master's degree in art from City College in 1959. Her early work was influenced by civil and racial unrest, and 🧬 had powerful political and social tones.

Série "The American People"

🧬 Entre 1963 e 1967, Ringgold portrayed fraught race relations in America in 🧬 a series of paintings titled "The American People Series." The series' final painting, "American People Series 20: Die," is a 🧬 vivid critique of the violent riots of the Civil Rights era. The painting, arguably the series' most famous, gruesomely depicts 🧬 a group of men, women and children brutally attacking one another. It is now part of the Museum of Modern 🧬 Art's permanent collection.

🧬 "I became fascinated with the ability of art to document the time, place, and cultural identity of the 🧬 artist," she told the Museum of Modern Art. "How could I, as an African American woman artist, document what was 🧬 happening around me?"

🧬 Ringgold's early work did not enjoy much success at the time, driving the mother of two to take 🧬 her activism to the streets for causes such as women's representation - especially of Black women - in mainstream art 🧬 exhibitions and collections. In 1970, Ringgold was arrested and charged with desecrating the American flag for co-organizing the "People's Flag 🧬 Show," an exhibition protesting against the Vietnam War, and for artists' First Amendment right to use the flag as material. 🧬

"They 🧬 didn't keep me in for long because the media was watching," she told the New York Times of her sentencing. 🧬

Quilts de Ringgold

🧬 Around the same time, Ringgold began incorporating new materials into her art. She experimented with sculpting in wood and 🧬 clay, but the dust triggered her asthma eased her to shift ...